The thematically deep OtherLife curiously prods us to reconsider our readiness to give ourselves an escape through technology.
Blade Runner 2049 has a central problem, it serves two masters. Trying to be original, and just like original, both of which dooms it be lost in time. Like tears in the rain.
The real ‘Battle of the Sexes’ was a chintzy OTT spectacle, the movie about it is a nuanced and intelligent commentary on gender. Go see it.
The romcom has dipped in recent years, barely echoing the challenges normal relationships face in the modern experience. The Big Sick refutes this, representing a true return to form for the genre.
I was puzzled why the Edgar Wright would tackle something as prosaic as a car chase movie, but Baby Driver is so much more than the genre it belongs to.
“Alien: Covenant” has been loosely touted as the movie that “Prometheus” should have been. But is it? Well…
My Pet Dinosaur is a beast that swims in the warm seas of nostalgia and calls the Blue Mountains home. Director Matt Drummond describes his creation
It’s a tale as old as time, however, the much-lauded “gay moment” in Beauty and the Beast might not honour the writer of the original.
An amazing true story of wealth, which…isn’t strictly true. The unreliable narrative of Gold is sadly one of the sour truth nuggets in the newest McConaughey vehicle.
For a dedicated set of Star Wars fans like myself, the films do not represent the appeal of the franchise. With Rogue One set in the Expanded Universe, I was wary.
How do you make a Harry Potter film without Harry Potter? And how do you expect to sate the Potterites around the globe? Welcome to the challenge of Fantastic Beasts.
Peep the comedy actioner Keeping Up With The Joneses, which includes Jon being Hammson (sorry) and Zach Galifianakis as the straight man. Also, guns.
I recently saw Tom Hanks in Sully, but I couldn’t get past seeing Tom Hanks in Sully. Is it time for Tom to take on something crazy? Paging Doctor Lecter.
With its warm reception knocking Suicide Squad off top perch at this weekend’s box office, Don’t Breathe spares us the tired foibles of the horror genre. But, what can audiences expect?
Ahead of Friday’s screening, the brains behind Australia’s only international smartphone film festival, SF3, have released their ten finalists. Get voting!
Producing fear alongside the kitsch and directed by rising talent Charlie Lyne, Fear Itself is a nod, with a sharpened knife, to 1970’s horror.
I sat down with David Farrier, director of the film Tickled, to explain his film, which exposes the tickling fetish community. Sort of.
Marc Jérusalmi speaks through Chinese portrait with Rachel Ward about which flower she’d be, her marriage with Bryan Brown, and her film An Accidental Soldier
Walking the line between thriller and thinkpiece, Midnight Special deserves to be seen in its short window of opportunity.
It behooves one to plan ahead for a Netflix binge. So, while you’re churning through the current catalogue, here’s what’s due up next.
The quintessential modern-age anti-rom-com, Love works because creator Judd Apatow didn’t rush the foreplay.